These filters instantly improve the contrast and saturation to your images and photographers say it’s the only filter you can’t edit afterwards. One of the most essential tools any landscape photographer should have is a polarising filter. Now to capture the best sun flare you’ll need a small aperture of around f/16-f/20 as this creates a larger and more defined flare than using a large aperture of f/4 which produces a rounder, smaller flare. Plus, use the screen live mode instead of looking through the viewfinder so you don’t look into the sun. When I photograph for lens flare I use aperture priority mode (Av, or A on your camera dial) this way you can set the aperture you desire while the camera automatically sets the shutter speed accordingly. Otherwise, you’ll have another silhouette photograph. However, ignoring what I mentioned earlier with silhouette photographs, you want to meter for your subject and have the sun slightly off centre instead of directly behind them. Start by shooting into the sun, this allows the sun’s rays to reflect through your lens creating these beautiful flares. However, if you want to get creative with your summer photographs try and break these rules! Shooting into the sun can create sun flares, frequently these flares are not wanted and the photographer makes an effort to avoid them. My tip is to use one subject as the silhouette as this creates a less chaotic scene and then use manual focus as your DSLR’s sensor might struggle to autofocus. The simplest way to photograph silhouettes is to use the setting sun as the background, this should give a strong silhouette as the warm colours of the sun fill the background. These images can use people, buildings or even animals in the scene and when shot correctly there should be a dark figure creating a smooth outline in front of a bright background. Silhouettes are the perfect way to build drama in your scene and create a story as there are parts of the image that the audience would have to imagine themselves. For example boring skies, too much green foliage and too many tourists on the beach.īelow are the techniques I use during the summer months to create stunning landscape photographs. – Wide-angle lens: This isn’t a must, but if you want to capture vast areas of the blue sky then I recommend you take your wide-angle lens.Ĭapturing summer landscapes means you will encounter some problems. Being out in the sun for extended periods of time can cause you to dehydrate. – Be prepared for the sun: Take lots of water and sun cream. – Location Notebook: Before you leave, make sure you have scouted the right location and if you find one while you’re out don’t forget to write it down. – Polarise filter: As I explain later if you want to achieve high-contrast summer images I suggest investing in a polarising filter. – Sunrise/Sunset app: Make sure you download a sunset/sunrise app, for example, Photopills, as this will force you to arrive early to your location. Even though during the day the light will allow for quick shutter speeds, owning a tripod will let you capture HDR images and help during sunset shoots. – Tripod: An essential item for any landscape photographer. With summer just around the corner and before you head out on your next summer landscape photo shoot, you’ll need to remember a few basic items: So here is my how-to guide for summer landscape photography. I’m a big believer in pushing yourself to be more creative and summer photography is a great way to practice this. However, there are many benefits to shooting in the summer, from late sunsets to warmer weather. Summer landscape photography can mean harsh daytime sunlight and a less dramatic sky. The general agreement in landscape photography is that it should only be taken between autumn and spring when the weather is more dramatic. Therefore, this means shooting summer landscape photographs. Like most photographers, I want to get out and shoot every day.
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